The next chapter in James Gunn’s DC Universe isn’t just about flying. It’s about hunting.
Supergirl (2026) is taking a hard left turn into gritty territory. Craig Gillespie is at the helm, adapting the Tom King comic miniseries Supergirl: Woman of Tomorrow. Bilquis Evely’s art sets a tone that is raw, violent, and far removed from the sunny optimism of previous iterations.
Milly Alcock steps into the Kryptonian mantle. But this isn’t your typical save-the-day narrative.
She is traveling galaxy to galaxy. Her mission is personal. She is protecting a young alien girl while tracking down Krem of the Yellow Hills. He is a ruthless murderer. The goal is revenge.
Enter Lobo
The source material is dark. The film will likely make changes. One major addition is Jason Momoa as Lobo.
He isn’t in the original comic run as a companion. He’s an antihero. His inclusion shifts the dynamic entirely. It adds a layer of chaotic energy to a story already heavy with trauma.
This marks a distinct departure for Alcock’s Kara Zor-El. The character is no longer just a hero. She is a hunter. The DCU is betting on this grittier version to define its young adult demographic.
Why This Matters
Gunn has been clear: this franchise isn’t for everyone. The violence will be explicit. The stakes are intimate.
“This isn’t a fairy tale. It’s a blood trail.”
Alcock brings a specific intensity to the role. Her performance in House of the Dragon proved she can handle complex, morally grey characters. Here, she plays a vigilante.
The addition of Lobo creates a mismatched duo. It’s not friendship. It’s necessity.
Fans expecting the classic Superman cousin might be confused. This is a different kind of superhero movie. It’s a space western. It’s a revenge thriller.
The comic’s influence is heavy. Evely’s panels are stark. The film will try to capture that aesthetic.
Where to Watch the Change
The release date is set for 2026. That’s two years away.
Will the movie stay true to King’s script? Probably not entirely. Gunn tends to tweak narratives for the screen.
But the core remains. Supergirl vs. Krem.
And now, Supergirl + Lobo vs. the universe.
It’s a bold move. A risky one. But if anyone can pull off a darker tone without losing the heart of the character, it’s Alcock and Gunn.
The galaxy won’t know what hit it.
